Jansen's performance is, of course, in the classic western tradition. Compare hers with the following performance by the Romanian gypsy band Taraf de Haïdouks, known in Romanian as Taraful Haiducilor. This is a remarkable performance that situates Bartók's famous piece clearly within the native folk tradition. Why the audience did not roar with approval at the end I don't know.
Someone suggested to me that perhaps there was no audience as such, only the studio crew helping with the recording. That would make sense.
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